‘Ultimately, it’s a comment on the futility of unquestionably doing things the way we always have.’
CHAUFFEUR • Darlinghurst
10 November—10 December 2021
Brian Mahoney • Published 19 November, 2021
The form gracefully balances to support itself, finding an audacious corporeal equilibrium.
The Art Gallery of Western Australia (AGWA) • Perth
05 November 2021—30 January 2022
Nyanda Smith • Published 17 November, 2021
Commissioned Article
‘Booth seems more interested in making us rethink how we might individually approach spaces in general, and how we navigate through and negotiate them.’
Fremantle Biennale • Fremantle
04 November—20 November 2021
Christina Chau • Published 11 November, 2021
‘You could throw a rock in almost any direction and smash something elegant.’
Woollahra Gallery at Redleaf • Sydney
03 November—04 December 2021
Alice McCormick • Published 12 November, 2021
‘Rayson integrates daily immersion in her surrounds, and intuitive repetitive mark-making in her process-driven practice.’
Boom Gallery • Geelong
03 November—27 November 2021
Sally Groom • Published 11 November, 2021
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‘…drips remain like untrimmed threads, providing points for the viewer to enter these quiet conversations.’
Philip Bacon Galleries • Brisbane
25 October—19 November 2021
Pamela See • Published 3 November, 2021
‘The exhibition sheds light on the work and gives space to artists so that their stories can emerge and be seen.’
Art Gallery of South Australia • Adelaide
14 October 2021—29 January 2022
Eleen M Deprez and Michael Newall • Published 22 October, 2021
‘…charting spectacular careers and practices forged by QUT alumni.’
QUT Art Museum • Brisbane
08 October 2021—26 February 2022
Louise R Mayhew • Published 12 October, 2021
‘The exhibition feels young: proactive, silly, ironic, new and critical.’
Institute of Modern Art • Brisbane (Meanjin)
08 October—17 December 2021
Madeline Brewer • Published 15 October, 2021
‘…techniques of furniture creation are deployed in concert with experimental prose.’
Despard Gallery • Hobart
21 September—15 October 2021
Andrew Harper • Published 28 September, 2021
‘…astounding talent emanating out of the aged care programs and the joyous roar of thread, earth and spear.’
Araluen Arts Centre • Alice Springs
09 September—23 October 2021
Erica Izett • Published 17 September, 2021
‘…how can craft make us rethink the intersections between art and life?’
John Curtin Art Gallery | Curtin University • Perth
09 September—30 October 2021
Christina Chau • Published 30 September, 2021
‘…forces of life that need to be honoured with gratitude and wonder.’
RAFT artspace • Alice Springs
07 September—01 October 2021
Erica Izett • Published 22 September, 2021
‘…the artist just wants a break from the dreadful weight of history…’
Franklin Square • Hobart
31 August—30 October 2021
Andrew Harper • Published 8 September, 2021
‘His work constantly hovers around that transitional threshold, slightly uncomfortable, yet deeply alluring.’
Colville Gallery • Hobart
30 August—12 September 2021
Andrew Harper • Published 3 September, 2021
‘I recognise a deep connection to Tasmania’s native animals and pockets of untamed wilderness.’
Bett Gallery • Hobart
26 August—17 September 2021
Briony Downes • Published 31 August, 2021
‘..resonating with the dignity created by strong stories…’
Museum & Art Gallery of the Northern Territory • Darwin
09 August—02 November 2021
Mark Chapman • Published 20 August, 2021
‘The works cumulatively interrogate discursive productions, both exterior and interior.’
Moore Contemporary • Perth
06 August—10 September 2021
Nyanda Smith • Published 10 August, 2021
‘…drawn from the Swedish word jordnära, meaning “close to earth”…’
Beaver Galleries · Canberra
04 August—21 August 2021
Anne Brennan • Published 9 August, 2021
‘…a potent ingredient in the art experience recipe: the place of presentation, the context of physical space…’
Melbourne, Victoria & Artsy Online
03 August—28 August 2021
Marielle Soni • Published 5 August, 2021
‘…the art remains the focus, the gallerists personable, the conversation informed…’
Andrew Browne • Published 5 August, 2021
‘They would have enjoyed their stay at The Windsor, creating a bit of frisson with their incongruous subversion.’
Spring 1883 • Artsy Online
Marielle Soni • Published 6 August, 2021
‘Juxtaposition and sightlines are the lynchpins of the exhibition’s thematically modular layout.’
Queen Victoria Art Gallery • Launceston
31 July 2021—30 June 2022
Tim Martain • Published 23 August, 2021
‘Tawale’s connection to place is personal, social, and ancestral…’
PICA • Perth
29 July—09 October 2021
Christina Chau • Published 19 August, 2021
‘…a reminder of migration stories, of remembering and re-establishing home’
Goolugatup Heathcote Gallery • Perth
15 July—04 September 2021
Christina Chau • Published 30 July, 2021
‘…tragic misreadings that have haunted Western and Islamic relations…’
Drill Hall Gallery • Canberra
24 June—14 August 2021
Anne Brennan • Published 10 July, 2021
‘Like being in a river, we were in motion with the momentum of currents greater than us.’
National Gallery of Victoria • Melbourne
24 June—02 October 2021
Marielle Soni • Published 20 July, 2021
‘What of it if Going Home would be better titled Going House?’
Hugo Michell Gallery • Adelaide
23 June—23 July 2021
Anna Zagala • Published 29 June, 2021
‘A vast and continental-scaled vision.’
Fox Jensen Gallery • Sydney
18 June—23 July 2021
Andrew Frost • Published 25 June, 2021
‘”Heal Country!” – the call to action to protect and preserve.’
Craft Victoria • Melbourne
18 June—16 July 2021
Marielle Soni • Published 9 July, 2021
‘Both brothers’ oeuvres come across as explorations of psychogeography.’
18 June—11 September 2021
Eleen Deprez • Published 6 August, 2021
‘Anderson draws grief. But remember, grief is an expression of deep love.’
Flinders Lane Gallery • Melbourne
14 June—09 July 2021
Marielle Soni • Published 3 July, 2021
‘The cascade of bells and words fills the room in a sonic ballet.’
812B George Street • Sydney
12 June—03 July 2021
Carol Jenkins • Published 24 June, 2021
‘…as pornography has become a near-infinite deluge of ones and zeroes.’
Michael Bugelli Gallery • Hobart
11 June—01 July 2021
Andrew Harper • Published 13 June, 2021
‘An invisible being named Amaliel asked her to invoke the spiritual realm through painting.’
Art Gallery of New South Wales • Sydney
11 June—18 September 2021
Scott Elliot • Published 13 August, 2021
‘Stories and objects float in space, unmoored and uncertain.’
Geelong Gallery • Geelong
10 June—21 August 2021
Sally Groom • Published 14 June, 2021
‘…beauty, excess and pleasure were at the forefront of Wainewright’s everyday life and work.’
Tasmanian Museum and Art Gallery • Hobart
10 June—02 October 2021
Briony Downes • Published 19 June, 2021
‘An afterlife for fragmented and found imagery’
ACMI Melbourne • Online
09 June—30 September 2021
Andrew Frost • Published 30 June, 2021
‘We can no more enter the landscape than we could enter a portrait.’
King Street Gallery on William · Sydney
07 June—02 July 2021
Andrew Frost • Published 17 June, 2021
‘catastrophic impact of dispossession and discrimination.’
Tate Modern • London
07 June 2021—19 March 2022
Jonathan Roson • Published 23 June, 2021
‘…the works together emit a frugal, almost Arte Povera vibe.’
South West Contemporary • Adelaide
04 June—30 July 2021
Eleen Deprez • Published 1 July, 2021
‘…the fracture of personal narrative and inexorable acceleration of time.’
Auckland Art Gallery Toi o Tãmaki • Auckland New Zealand
04 June—09 October 2021
Andrew Browne • Published 2 August, 2021
‘it still manages to take us on a rich historical, cross-cultural and blended journey’.
Station Gallery • Sydney
28 May—25 June 2021
Eloise Hastings • Published 8 June, 2021
‘His art and his life are imbued with a mystical philosophy, a profound quest for making sense of our world.’
Gippsland Art Gallery • Regional Victoria
21 May—31 July 2021
Sasha Grishin • Published 27 May, 2021
‘It misses out on those architectural punctuations that render focus…’
[notfair] former Kardinia Church • Melbourne
19 May—29 May 2021
Marielle Soni • Published 24 May, 2021
‘Rather than using light to reveal, light is used to be the revelation.’
Number One Dixon Shopping Centre Level 5 Monorail Station • Sydney
Ashleigh Jones • Published 26 May, 2021
‘…empathy indeed can be a cure for loneliness in this complex world.’
Gaffa Gallery • New South Wales
12 May—23 May 2021
Bijou Xu • Published 19 May, 2021
‘…ideology behind a practice that continually tests the capacities of body and machine.’
07 May—31 July 2021
Natasha Sutila • Published 21 May, 2021
‘Genus hopping ikebana’
Nicholas Thompson Gallery • Melbourne
29 April—14 May 2021
Donald Holt • Published 4 May, 2021
‘It is a timely project that will hopefully spark important conversations wherever it is shown.’
Logan Art Gallery • Logan
22 April—04 June 2021
Hamish Sawyer • Published 25 April, 2021
‘it throbs of seduction, and a provocation to reach out and touch its oily sheen.’
Galerie pompom • New South Wales
20 April—22 May 2021
Eloise Hastings • Published 12 May, 2021
‘I was jazzed by the sight of the oil pastels…They are cheery, smeary, and energetic ‘portraits’…’
Tolarno Galleries • Melbourne
16 April—14 May 2021
Anna Zagala • Published 8 May, 2021
‘Hayes’ paintings speak of human frailty and insecurity’
Australian Galleries • Collingwood
12 April—01 May 2021
Elizabeth Burns Coleman • Published 20 April, 2021
‘ordinary materials can transcend their humble origins’
09 April—30 April 2021
Briony Downes • Published 13 April, 2021
‘or to a chip stiffening Kama Sutra’
Discordia • Melbourne
09 April—07 May 2021
Donald Holt • Published 18 April, 2021
‘… its elemental splendour touches a latent longing to get out among the gum trees…’
01 April—21 August 2021
Una Rey • Published 14 May, 2021
‘University galleries are the workhorses of Australia’s visual arts ecology.’
26 March—05 June 2021
Hamish Sawyer • Published 31 March, 2021
‘A breathing space between disasters would be good’
Gertrude Glasshouse • Collingwood
25 March—27 March 2021
Marielle Soni • Published 26 March, 2021
‘A FAMILY ASSORTMENT OF ALLOYS ORDERED ON A LOWER SHELF’
Carriageworks • New South Wales
25 March—19 June 2021
Donald Holt • Published 12 April, 2021
‘Shoulder’s performances are refreshingly accessible and can mesmerise child and adult alike.’
Art Gallery of New South Wales • New South Wales
25 March—04 September 2021
Scott Elliot • Published 10 May, 2021
‘…our culture valorises individual effort, but what might be accomplished over time, by many, is possibly more astonishing.’
Allport Library and Museum of Fine Arts • Hobart
24 March—30 July 2021
Andrew Harper • Published 6 June, 2021
‘These might be the secret bits.’
Sophie Gannon Gallery • Melbourne
15 March—31 March 2021
Donald Holt • Published 23 March, 2021
‘Disrobe and slip in.’
Milani Gallery • Brisbane
05 March—26 March 2021
Tomislav Nikolic • Published 23 March, 2021
“…he melds philosophy, theory, mathematics, materiality and the ineffable into beautifully stilled works…”
Heide Museum of Modern Art • Bulleen
05 March—10 July 2021
Andrew Browne • Published 2 May, 2021
‘Reflex or reflection.’
Five Walls • Footscray
02 March—19 March 2021
Donald Holt • Published 8 March, 2021
‘intersection of street and fine art’
Blender Studios • Melbourne
25 February—19 March 2021
Marielle Soni • Published 6 March, 2021
‘And what might we yet become?’
Maitland Regional Art Gallery • Maitland
19 February—01 May 2021
Erin McFadyen • Published 24 February, 2021
‘The show does not shy from contradiction.’
Newcastle Art Gallery • New South Wales
12 February—17 April 2021
Erin McFadyen • Published 16 February, 2021
‘pray! a concrete-poet’s riposte.’
29 January—01 May 2021
Una Rey • Published 13 February, 2021
‘The son of a god has become God; the 21st Century belongs to Narcissus.’
18 December 2020—17 April 2021
Marielle Soni • Published 21 March, 2021
‘Her nudity is made all the more alluring because of the floral drapery brushing her mons pubis as it is just about to fall to the ground.’
Marielle Soni • Published 8 February, 2021
‘The expanding foam begins to look droopy or melty’
The Lock-Up • New South Wales
04 December 2020—30 January 2021
Erin McFadyen • Published 9 December, 2020
‘Long after humans are gone, nature will persevere.’
04 December 2020—20 November 2021
Tim Martain • Published 21 June, 2021
‘Zahalka’s work has pointed sense of irony to it.’
04 December 2020—23 October 2021
Tim Martain • Published 22 June, 2021
‘I see trees, a tree of life, fronds reaching out – a network of organisms.’
Euroa Butter Factory • Euroa
03 December—04 December 2020
Marielle Soni • Published 4 December, 2020
‘Lovelock will be issued on vinyl. Square format. Even the music.’
Greenwood Street Project • Abbotsford
02 December 2020—28 January 2021
Marielle Soni • Published 20 December, 2020
‘This taxonomy engulfs every inch of the wall, theatrically off-balance.’
Roslyn Oxley9 • New South Wales
02 December—18 December 2020
Alanna Irwin • Published 6 December, 2020
‘Tickets please’
Sutton Gallery • Fitzroy
20 November—18 December 2020
Donald Holt • Published 25 November, 2020
‘Oh, the curious fluidity of dreams!’
Daine Singer • Fitzroy
17 November—18 December 2020
James Murnane • Published 8 December, 2020
‘…arrangements of so much rotting meat, ageing eggs and gently wilting flowers’
13 November—05 December 2020
Andrew Browne • Published 26 November, 2020
‘Bones imperceptibly swaying, casting long shadows’
13 November 2020—13 February 2021
Nyanda Smith • Published 16 November, 2020
‘…remind institutions of the rich contribution of women artists to the cultural life of the nation’
National Gallery of Australia · Canberra
13 November 2020—25 January 2022
Anne Brennan • Published 17 August, 2021
‘Stand up and resist and use art as a platform to discuss ideas.’ Judy Watson Tate video interview 2019.
12 November—11 December 2020
Marielle Soni • Published 15 November, 2020
‘I am trying to paint the one painting that will change the world…’
QAGOMA • Brisbane
06 November 2020—20 March 2021
Hamish Sawyer • Published 1 December, 2020
‘Beauty in the mundane?’
Caves Gallery • Melbourne
29 October—27 November 2020
Marielle Soni • Published 6 November, 2020
‘…delectable deep-fried and perfectly crinkled papadums’
Dominik Mersch Gallery • New South Wales
22 October—07 November 2020
Eloise Hastings • Published 2 November, 2020
‘Plenty of fruit & a cheeky lizard’
Orleans House Gallery • England
12 October 2020—20 March 2021
Tabish Khan • Published 26 October, 2020
‘Let’s look for some sparks.’
Museum of Contemporary Art • New South Wales
01 October 2020—27 February 2021
Donald Holt • Published 20 January, 2021
‘The overall aesthetic is coolly formal’
Griffith University Art Museum • Brisbane
01 October—20 November 2020
Hamish Sawyer • Published 15 September, 2020
‘The hand as tool. That torn fingernail? Sharp, maintained, a great pick, knife, shovel — a veritable Swiss army knife.’
Finkelstein Gallery • Melbourne
22 September 2020—26 January 2021
Marielle Soni • Published 17 December, 2020
‘Sky-dome of emu-down, suspended above a red clay mandala’
11 September—07 November 2020
Una Rey • Published 30 September, 2020
‘An exploration of the juncture of land and sky’
WA Art Collective • Perth
11 September—09 October 2020
Nyanda Smith • Published 11 September, 2020
‘feral soft-sculptures and funky painted cars’
10 September—24 October 2020
Erica Izett • Published 20 September, 2020
‘One doesn’t expect to be aroused by domestic mops’
Fine Arts • New South Wales
01 September—30 October 2020
Eloise Hastings • Published 17 September, 2020
‘Distortions of a perfect circle are a testament to human slippages’
05 August—04 September 2020
Alanna Irwin • Published 21 August, 2020
‘From the refined to the quirky, solemn to the raw’
Charles Darwin University Art Gallery • Darwin
04 August—24 September 2020
Erica Izett • Published 24 August, 2020
‘Littered with flirtations through daub & scumble’
Nicholas Thompson Gallery • Collingwood
07 July—25 July 2020
Donald Holt • Published 16 July, 2020
‘No interaction, I can’t make it jiggle nor bounce’
Assembly Point • Melbourne
04 July—05 September 2020
Marielle Soni • Published 14 July, 2020
Counihan Gallery • Brunswick
26 June—25 July 2020
Marielle Soni • Published 4 July, 2020
The Commercial Gallery • New South Wales
25 June—17 July 2020
Eloise Hastings • Published 7 July, 2020
‘DWTD is too cool to love, but it works the rooms in calculated, contemporary style.’
19 June—08 August 2020
Una Rey • Published 23 June, 2020
‘The Agprognostic Temple is dedicated to the Unknown.’
The Agprognostic Temple • Belgium
21 May—11 June 2020
Georges Petitjean • Published 24 November, 2020
‘We can remind ourselves the viewer is granted the utmost indulgence when visiting a gallery.’
Station Gallery • New South Wales
15 May—19 June 2020
Eloise Hastings • Published 27 May, 2020
‘So, here’s a story from A to Z’
UNSW Galleries • New South Wales
07 May—20 November 2020
Ricardo Felipe • Published 3 August, 2020
Lon Gallery • Melbourne
30 April—05 June 2020
Donald Holt • Published 10 May, 2020
Martin Browne Contemporary • New South Wales
29 April—23 May 2020
John McBride • Published 18 May, 2020
Coma Gallery • New South Wales
24 April—21 May 2020
Eloise Hastings • Published 12 May, 2020
‘Kurrujupuni, arrikininga, yarringa, tunuwuni kapi katukuni’
13 March—07 June 2020
Marielle Soni • Published 14 June, 2020
The Cross Art Projects • New South Wales
13 March—01 May 2020
Marielle Soni • Published 25 April, 2020
Marielle Soni • Published 19 April, 2020
Gallery Smith • Melbourne
11 March—24 April 2020
Alan R. Dodge • Published 5 April, 2020
‘evoke stilled domestic yet subtlety demonic scenarios’
06 March 2020—13 February 2021
Andrew Browne • Published 28 January, 2021
28 February—23 May 2020
Marielle Soni • Published 5 April, 2020
‘The presence of childhood throughout, should I be enchanted or horrified?’
27 February—01 August 2020
Marielle Soni • Published 25 May, 2020
27 February—07 June 2020
Marielle Soni • Published 17 May, 2020
‘It’s also undeniably a female gaze.’
Station Gallery • Melbourne
—
Donald Holt • Published 24 January, 2021
‘A plump dopey seated rat in a buttoned vest’
Marfa Gallery • Abbotsford
Donald Holt • Published 1 April, 2020
‘Happenstance chaos of messy urban gardens’
Niagara Galleries • Melbourne
Andrew Browne • Published 27 March, 2020
‘An amphitheatre at night, a sacred meeting place, mine shaft, a folly fireplace?’
Marielle Soni • Published 14 March, 2020
‘Ritualistic Tone & Vague Sexualisations’
Samstag Museum of Art • Adelaide
—11 June 2020
Donald Holt • Published 8 March, 2020
‘The flow comes close to jarring, the discovery delightful, but you will need the map. Take the map.’
—07 June 2020
Marielle Soni • Published 7 March, 2020
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