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‘The expanding foam begins to look droopy or melty’

Rosie Deacon ‘How Do I Know My Parrot is Happy?’

  • The Lock-Up • New South Wales

  • 04 December 2020—30 January 2021

  • Erin McFadyen • Published 9 December, 2020

‘Oh, the curious fluidity of dreams!’

Kirsty Budge ‘If you’re gonna spew, spew into this’

  • Daine Singer • Fitzroy

  • 17 November—18 December 2020

  • James Murnane • Published 8 December, 2020

‘This taxonomy engulfs every inch of the wall, theatrically off-balance.’

Claire Healy, Sean Cordeiro ‘You Are Here’

  • Roslyn Oxley9 • New South Wales

  • 02 December—18 December 2020

  • Alanna Irwin • Published 6 December, 2020

  • Commissioned Article

‘I see trees, a tree of life, fronds reaching out – a network of organisms.’

‘This land after – this land before’

  • Euroa Butter Factory • Euroa

  • 03 December—04 December 2020

  • Marielle Soni • Published 4 December, 2020

‘I am trying to paint the one painting that will change the world…’

‘Unfinished Business’ The Art of Gordon Bennett

  • QAGOMA • Brisbane

  • 06 November 2020—20 March 2021

  • Hamish Sawyer • Published 1 December, 2020

  • Commissioned Article

‘…arrangements of so much rotting meat, ageing eggs and gently wilting flowers’

Lewis Miller

  • Australian Galleries • Collingwood

  • 13 November—05 December 2020

  • Andrew Browne • Published 26 November, 2020

‘The Agprognostic Temple is dedicated to the Unknown.’

Dome Wood, Sam Steverlynck ‘The Agprognostic Temple’

  • The Agprognostic Temple • Belgium

  • 21 May—11 June 2020

  • Georges Petitjean • Published 24 November, 2020

‘Bones imperceptibly swaying, casting long shadows’

Erin Coates ‘Alluvial Gold’

  • Goolugatup Heathcote Gallery • Perth

  • 13 November 2020—13 February 2021

  • Nyanda Smith • Published 16 November, 2020

  • Commissioned Article
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